Film Screening: Performance and the Body: Yayoi Kusama
Film Screening: Performance and the Body: Yayoi Kusama
Well respected for her provocative performances and public “happenings” in New York in the late 1960s, Yayoi Kusama has often used her body and image as a key element in her work on and off camera. This series of films—Love-In Festival, Flower Orgy, and Self-Obliteration, all from 1968—illustrate the politically charged nature of her happenings, while the video Song of a Manhattan Suicide Addict from 1999 shows the artist thirty years later reciting a poem that provides an insight into her world view. Presented in conjunction with the exhibition Yayoi Kusama: Infinity Mirrors, on view through May 14, 2017.